Candinho do Trombone

Origin

Rio de Janeiro, RJ

Also known as

Cândido Pereira da Silva, Candinho Silva

Years active

1898–1960

Genres

choro, polka, waltz, schottische

Instruments

trombone, guitar, bombardino, bombardon, violão

Biography

Cândido Pereira da Silva, widely known as Candinho do Trombone, was a pivotal figure in the early 20th-century Brazilian music scene, particularly in the choro genre. Born in Rio de Janeiro in 1879, he was a master trombonist, composer, and guitarist, recognized as one of the leading musicians of his generation, predating even the renowned Pixinguinha. Candinho's musical journey began under the tutelage of his father, also a musician. He honed his skills in various bands, including the military police band and the orchestra of the Teatro Municipal, where he served for many years. His prolific output includes over 450 compositions, predominantly choros, polkas, and waltzes, though only a fraction were formally published. His compositions, such as "O Nó," are celebrated for their intricate harmonies and virtuosic demands, influencing subsequent generations of musicians.

Candinho's influence extended beyond his own compositions. He was a mentor to many musicians and played a crucial role in preserving the work of fellow chorões, often transcribing their music. He collaborated with and was contemporaries with many of the giants of choro, including Pixinguinha, Donga, and Jacob do Bandolim. His musical archive, donated to Jacob do Bandolim, is now part of the Museu da Imagem e do Som, ensuring his legacy continues to be studied and appreciated. Despite his significant contributions, Candinho's work remains less known to the general public than some of his peers, highlighting the importance of continued research and dissemination of his rich musical heritage.

His dedication to music was lifelong, and he continued to compose and be involved in the music scene until his passing in 1960. Candinho do Trombone's legacy is that of a foundational artist in Brazilian music, a virtuoso instrumentalist, and a prolific composer whose work continues to resonate within the choro tradition. His ability to blend technical mastery with profound musicality cemented his place as a master of his craft and a significant contributor to the rich tapestry of Brazilian popular music.