João Francisco da Matta

Origin

São João del-Rei, MG

Also known as

Joao da Mata

Years Active

1850–1909

Genres

sacred music, dobrado, romantic music, MPB

Instruments

ophicleide, violin, piano

Biography

João Francisco da Matta, better known as João da Mata, was a prominent 19th-century composer, conductor, and instrumentalist from Minas Gerais. Born in São João del-Rei around 1832, he stood out as a virtuoso on several instruments, with an emphasis on the ophicleide, violin, and piano. His musical career was marked by an extensive and diverse output, covering both sacred and secular music, with compositions that included masses, hymns, motets, and marches. His work, although not fully cataloged, left a significant legacy in the music of Minas Gerais and Brazil.

Also known as the "Maestro Tropeiro", João da Matta worked in important cities in Minas Gerais, such as São João del-Rei, Lavras, and Oliveira. His musical skill and his work as a muleteer made him an emblematic and, at times, legendary figure. It is believed that he developed a peculiar musical notation with altered notes to make it difficult to copy his works, a strategy to protect his intellectual production. This characteristic, combined with his vast oeuvre, contributes to his enigmatic and admired persona.

João da Matta passed away on June 4 or 5, 1909, in the district of Serranos, in Aiuruoca, Minas Gerais. His death ended the journey of an artist who, despite being illiterate, possessed a solid popular culture that was reflected in his music. His work, much of it published by Brazilian publishing houses, established him as one of the most widely distributed composers of his time, with sacred pieces frequently performed and funeral marches that still echo in local traditions. He is remembered as one of the precursors of samba in Rio de Janeiro, alongside figures like Donga and Pixinguinha.