Mario Telles

Origin

Rio de Janeiro, RJ

Years active

1950s–2000s

Genres

bossa nova, samba

Instruments

vocals

Biography

Mario Telles was a multifaceted Brazilian artist, known primarily as a singer, lyricist, painter, and set designer. Born in Laranjeiras, Rio de Janeiro, he moved to Copacabana at a young age, where he was immersed in the vibrant musical scene and the burgeoning bossa nova movement. His sister, the singer Silvinha Telles, was also a significant figure in Brazilian music, and their shared artistic environment undoubtedly influenced his career. Telles was not only an artist but also an academic, holding a tenured professorship in history at UNI-Rio. He played a key role in the Musicanossa Movement, a collective that included prominent musicians like Moacyr Santos, Baden Powell, and Geraldo Vespar, contributing to the rich tapestry of Brazilian popular music.

His musical contributions include co-writing songs with renowned artists such as Baden Powell and Moacyr Santos. His song "Nanã," co-written with Moacyr Santos, was notably featured in the soundtrack of Cacá Diegues' film "Ganga Zumba, rei dos Palmares" and was performed by Nara Leão. In 1964, Telles released his self-titled debut album, "Mario Telles," which featured collaborations with Baden Powell and Nilo Queiroz, showcasing his talent as both a singer and a songwriter. He also collaborated with Roberto Carlos and Erasmo Carlos on the song "Não quero ver você triste." His work is a testament to the innovative spirit of bossa nova and its evolution.

Telles' artistic reach extended beyond music. He was also a painter and set designer, demonstrating a broad creative spectrum. His involvement in the Musicanossa Movement highlights his dedication to fostering Brazilian music and collaborating with fellow artists. His passing in 2001 marked the end of a significant era for Brazilian arts, but his legacy endures through his recordings, compositions, and his academic contributions. He is remembered as a versatile artist who left an indelible mark on Brazilian culture, often associated with the sophisticated sounds of bossa nova and its subsequent developments.