Metrô

Origin

São Paulo, SP

Also known as

A Gota Suspensa

Years active

1978–present

Genres

new wave, synth-pop, pop rock, progressive rock

Instruments

vocals, guitar, keyboards, bass, drums, percussion, synthesizer

Biography

Formed in São Paulo in 1978, Metrô began as a progressive rock band named A Gota Suspensa before rebranding in 1984. The group, composed of French-Brazilian students from Lycée Pasteur, initially explored experimental sounds and even wrote lyrics in French, gaining a following in the underground scene. Their shift to a new wave and synth-pop sound with the release of "Beat Acelerado" propelled them to mainstream success in the vibrant Brazilian rock scene of the 1980s.

Metrô's most commercially successful period was marked by their 1985 album "Olhar," which featured hits like "Tudo Pode Mudar," "Cenas Obscenas," "Johnny Love," and "Ti Ti Ti." The band's visual aesthetic, characterized by bold colors and distinct hairstyles, along with Virginie Boutaud's charismatic stage presence, made them icons of the era. Their music captured the zeitgeist of a Brazil transitioning politically and socially, offering a soundtrack of youthful exuberance and aspirations for modernity.

Despite their significant impact, the band experienced internal changes, including Boutaud's departure in 1986, leading to a more experimental phase with their album "A Mão de Mao." After a hiatus and various solo projects, Metrô reunited in the early 2000s and has continued to perform and release music, solidifying their legacy as one of Brazil's most influential new wave bands. Their enduring appeal is evident in their continued touring and the re-release of their seminal works.